diff --git a/gfs-fleischman-fonts.spec b/gfs-fleischman-fonts.spec index 04a53ea..abc4448 100644 --- a/gfs-fleischman-fonts.spec +++ b/gfs-fleischman-fonts.spec @@ -1,6 +1,6 @@ # SPDX-License-Identifier: MIT Version: 20080303 -Release: 24%{?dist} +Release: 25%{?dist} URL: http://www.greekfontsociety-gfs.gr/typefaces/majuscule %global foundry GFS @@ -24,13 +24,13 @@ The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital -letters modelled on the Roman antiquity, i.e. with thick and thin strokes and +letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on -theological editions, remainned alive until the early 19th century. +theological editions, remained alive until the early 19th century. -GFS Fleischman was cut by Johann Michael Fleischman, typecutter of the Dutch +GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century -æsthetics. +aesthetics. It has been designed by George D. Matthiopoulos.} @@ -58,6 +58,10 @@ unzip -j -q %{SOURCE0} %fontfiles %changelog +* Mon Mar 02 2020 Nicolas Mailhot +- 20080303-25 +✅ Lint, lint, lint and lint again + * Sat Feb 22 2020 Nicolas Mailhot - 20080303-24 ✅ Rebuild with fonts-rpm-macros 2.0.2